could you put an extra bed in the room - definitie. Wat is could you put an extra bed in the room
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Wat (wie) is could you put an extra bed in the room - definitie

BOOK BY SPIKE MILLIGAN
The Bed-Sitting Room (play)

Before Yesterday We Could Fly         
  • Another view of the exhibit (through display glass)
  • The exhibit as viewed from the "living room" side
  • A rubber hair comb in the exhibit, evoking another comb uncovered during the [[Seneca Village]] Project.<ref name="Liscia-2021" />
  • Stoneware jar (c. 1797-1819) by [[Thomas Commeraw]], a free Black potter. It bears the mark of his [[Corlears Hook]] studio in Lower Manhattan.
  • ''Vernus 3'' by [[Ini Archibong]] in ''Before Yesterday We Could Fly''
METROPOLITAN MUSEUM OF ART EXHIBITION AND PERIOD ROOM
Before Yesterday We Could Fly: An Afrofuturist Period Room; Afrofuturist Period Room
Before Yesterday We Could Fly: An Afrofuturist Period Room is an art exhibition at the Metropolitan Museum of Art in New York City. The exhibit, which opened on November 5, 2021, uses a period room format of installation to envision the past, present, and future home of someone who lived in Seneca Village, a largely African American settlement which was destroyed to make way for the construction of Central Park in the mid-1800s.
The Bedsitting Room (play)         
The Bedsitting Room is a satirical play by Spike Milligan and John Antrobus. It began as a one-act play which was first produced on 12 February 1962 at the Marlowe Theatre in Canterbury, England.
Come On In (You Did the Best You Could Do)         
1985 SINGLE BY THE OAK RIDGE BOYS
Come on In (You Did the Best You Could Do)
"Come On In (You Did the Best You Could Do)" is a song written by Rick Giles and George Green, and recorded by American country music group The Oak Ridge Boys. It was released in November 1985 as the third single from the album Step On Out.

Wikipedia

The Bedsitting Room (play)

The Bedsitting Room is a satirical play by Spike Milligan and John Antrobus. It began as a one-act play which was first produced on 12 February 1962 at the Marlowe Theatre in Canterbury, England. The Bedsitting Room was then adapted to a longer play and Bernard Miles put it on at the Mermaid Theatre, where it was first performed on 31 January 1963 before transferring several weeks later to the Duke of York's Theatre in London's West End.

The production included a coup de théâtre, when the character "Mate" (originally played in London by Spike Milligan) entered wearing a mixture of ragged military uniforms from across the centuries. Attached to his boots were long strips of canvas to which were attached pairs of boots. As he marched across the stage, the empty boots marched in time behind him. The play was considered a critical and commercial hit, and was revived in 1967 with a provincial tour, before opening at London's Saville Theatre on 3 May 1967. The script was later published in paperback book.

The play was presented in repertory by the Theatre Royal, York in 1972, and was also shown by Bench Theatre in Havant for seven nights in July 1981.

The play is set in a post-apocalyptic London, nine months after World War III (the "Nuclear Misunderstanding"), which lasted for two minutes and twenty-eight seconds – "including the signing of the peace treaty". Nuclear fallout is producing strange mutations in people; the title refers to the character Lord Fortnum, who finds himself transforming into a bed-sitting room (other characters turn into a parrot and a wardrobe). The plot concerns the fate of the first child to be born after the war.

A film based on the play was released in 1969. The film was directed by Richard Lester and the cast included Ralph Richardson, Arthur Lowe, Rita Tushingham, Peter Cook, Dudley Moore, Michael Hordern, Marty Feldman, Harry Secombe and Milligan himself.